Adam Straus, “Old News: Water Lilies at St. Mark Wildlife Refuge,” 2017, oil over newspaper transferred onto paper with brass leaf and graphite, 25 1/4” x 34 3/8”
Leila Daw, “What Happens Next?” 2018, traditional Burmese Shwe chi doe tapestry and mixed media on cotton, light stabilizing acrylic glaze, 26” x 26”
Ellen Glasgow, “Bahama Straits, Sunrise,” 2010, oil on linen, 37 1/4” x 73 1/4”
Adam Straus, “Glitch in the Majestic: Yosemite,” 2017, oil on paper, 22” x 30”
Adam Straus, “Drive-By Landscape: Blue Skies and Green Field,” 2012, oil on paper, 14” x 17”
Ellen Glasgow, “Franklin County Pond,” 2010, oil on canvas, 19 3/8” x 25 1/4”
Leila Daw, “How it Looks Today,” 2004, mixed media and Van Dyke brown print mounted on gatorboard, 11 3/4” x 15”
Adam Straus, “Flanders Field,” 2020, oil on latex and transferred newspaper on paper, 25 1/2” x 22 1/4”
Leila Daw, “Even a Small Melt,” 2018, traditional Burmese shwe chi doe tapestry and mixed media on cotton, light stabilizing acrylic glaze, 14 1/8” x 14 1/8”
Leila Daw, “View Through the Earth,” 2013, Burmese shwe chi doe tapestry mixed media on canvas, 39 1/8” x 81”
Adam Straus, “Long Island Country Road,” 2009, oil on paper, 11” x 15”
Adam Straus, “Catskills: Early Morning,” 2009, oil on paper, 14” x 17”
Leila Daw, “Chun Quoit,” 2006, mixed media on paper with welded aluminum, 17 1/2” x 24 1/4”
Ellen Glasgow, “Woods and Pond,” 2014, oil on canvas, 31” x 41”